Author, Editor, Publisher, Coach

Category: e-Book Publishing (Page 5 of 5)

If you’re looking to publish your book for the e-Reader markets, this may be helpful.

Writers Need To Make a Living Too

A recent online article by C. Hope Clark, Are we speaking for free, too?, prompted me to dust off a piece I wrote long ago at www.Writing.com. I’ve decided to reprise it here, since I have a primarily new audience.

What’s a writer?

I once installed a new kitchen sink and garbage disposal in my condo. That doesn’t make me a plumber. I once built some shelves for my closet. That doesn’t make me a carpenter. I once watched a meteor shower streak through the night sky. That doesn’t make me an astronomer.

Writers are professionals. Professionals are paid for their work. Hence, writers are paid for their work.

Everyone else is an “aspiring writer,” or a hobbyist.

As an example, if you write short fiction and you’ve looked around at print markets for your work, you’ve no doubt discovered that more outlets don’t pay than do pay. Sure, they may offer “2 free contributor copies.” Oh goodie! Now I can eat something besides PB&J sandwiches and macaroni & cheese. Oh wait! Never mind.

Just in case that’s not bad enough, you might subsequently have this conversation:

MAGAZINE EDITOR: I discovered that you posted your story on a website where people have access to it.

ME: That’s right. It’s an interactive writer’s site. We review each other’s material and offer some constructive feedback, perhaps a little encouragement. We can all use more of that.

EDITOR: Sure, but people can read your story there.

ME: Yes, this story has had 138 views as of this morning, primarily by other writers, no doubt.

EDITOR: See, that’s what we consider “previously published,” and we expect “First-Time” rights.

ME: But it’s 138 people.

EDITOR: That doesn’t matter.

ME: 138. That’s 138 people in the whole world. How many of those do you suppose are part of your 1,200 subscribers?

EDITOR: That’s not the point. We pay for first-time rights.

ME: Really? What do you pay?

EDITOR: We pay 2 free contributor copies.

ME: Oh goodie! Now I can pay the rent this month!

(Pregnant pause)

Imagine calling a plumber to install your new water heater:

YOU: I’d like you to remove the old water heater, install my new one in the same spot, and dispose of the old one.

PLUMBER: Okay, that will require three hours of labor, which costs $270. Additionally, there’s a $50 fee for disposing of your old water heater.

YOU: Well, I don’t actually offer money for plumbing services, but I will pay “2 free written references.” Man, that’s gonna look good on your resume!

(Pregnant pause)

Yeah, how’s that new water heater working out?

It’s amazing how many magazine editors think we writers should feel “honored” that they want to publish our material… absolutely free. Yep, we should be thrilled that their 1,200 readers (Oh joy!), or 800 readers (How wonderful!), or 300 readers (Are you kidding me?) are going to read our story.

Let’s close out that first conversation:

EDITOR: You know, this would be a good job if it weren’t for you damned writers!

Yeah, it’s so nice to be loved and respected.

I’ll give you a little hint, Dear Writer: You create this problem for yourself… every time you agree to work for free. The sooner we all stop doing that, the sooner we’ll get paid for our work. You have the power. We have the power, and it’s time for a little peaceful revolution.

‘Til next time, and as always, remember: To write well, you must work hard. To succeed in this tough gig, you mustn’t be lazy (or discouraged).

Team Concept

A recent release from the Association of American Publishers, which reports continuing growth in eBook sales, prompted some reflection on the business of self-publishing. While our Evolved Publishing venture is not self-publishing, neither is it a clone of the traditional publishing model. We are a hybrid small press.

When I was in the U.S. Air Force—about a million years ago—I toiled in an office where nine individuals worked with, and often against, each other. Within our section, we performed three primary functions. The nine individuals, in random combination, rotated between those three functions. Seems fair, right?

Just one problem: one of those functions provided greater headaches and pressure to perform than the other two, and nobody wanted to go anywhere near it. Hey, we were government employees—no one advanced on merits; only seniority mattered. So why bust your butt to perform a stressful, thankless job if you didn’t have to? I should make clear that this was not my attitude.  Mama taught me better. Four or five in our section, however, had not learned those proper lessons.

When half a team—geez, I hesitate to call what we had a team—crashes the team bus in a fiery ball, the entire team burns up. The end result? Poor performance, poor service, poor atmosphere, poor outlook. Poor. Thus, some lowly bottom-of-the-ladder two-striper—that would be me—approached the section chief with a proposal: convert the nine hey-I’m-just-in-it-for-me individuals into three let’s-pull-together teams. Let each team of three learn to rely on each other to succeed—no whining, no finger-pointing. If one member of the team failed, the entire team failed, and their individual performance reviews would reflect that. Suddenly, it was in everyone’s interest to ensure that the other members of the team succeeded (only two others on the team now—much more manageable).

If my teammate needed help, I helped—this new dynamic swept through the section. Even the one or two hopeless sourpusses had to step up, because no one wanted to shoulder the blame for a team’s poor review. No one wanted to be a pariah. Better yet, and on a more positive note, those very sourpusses appreciated that now, finally, someone else was in their corner, rather than constantly fighting against them.

We no longer suffered the lesser demons of nine individuals. We now encouraged the greater angels of three teams.

This lowly two-striper even received a U.S Air Force Achievement Medal, for “designing creative solutions to promote excellence in service.” Hoo-rah!

I took the lessons learned in that setting into the real world (working for the government bureaucracy, even if military, is not the real world). As I took on management roles in a couple companies, responsible for hiring, training, project and personnel development, I focused heavily on the team approach. No, all was not bliss. You can’t bring together a large group of people and expect everything to be perfect.

Nonetheless, I saw firsthand, time and time again, how a well-coordinated team always outperformed a group of individuals focused solely on themselves. On top of everything else, the sense of camaraderie it promoted, when it worked well, created a pleasant working atmosphere… and quite often, lasting friendships.

Now, we bring this same philosophy to our new publishing company. If you haven’t already, and particularly if you’re an aspiring writer, I hope you’ll check out what we’re doing at Evolved Publishing.

‘Til next time, and as always, remember: To write well, you must work hard. To succeed in this tough gig, you mustn’t be lazy (or discouraged).

Quality Matters

As we’re kicking off our Evolved Publishing effort, I’ve been interested–and confused, and frustrated, and saddened–by several online discussions about the need for, and efficacy of, independent editing of an author’s manuscript.

As Kristine Rusch so often states (you should be following her KrisWrites blog, by the way), self-published authors need to think more like independent businesspeople—because that’s what we are.

Certain universal rules apply to business, and here’s one of the biggies: VALUE sells. The variable equation for VALUE, assuming a constant need or desire, is a simple Quality:Price ratio. The first variable in that equation is… well, the first part. Fail there, and the second part becomes irrelevant.

No matter how attractive your price, you, Dear Seller, will not persuade most potential buyers if your quality has not met at least minimum standards in a past sale, or if you’ve established a reputation for poor quality.

This applies when you sell a car, a refrigerator, a pair of shoes… or a book.

Sure, you may get customers to buy your product once, but disappoint them on your quality obligation, and those customers will never buy your product again. Authors make a living when they generate positive word-of-mouth and a steady stream of loyal book buyers (repeat customers). Fail to deliver quality, and your business is finished almost before it begins.

Many self-published authors say, “But I just can’t afford an editor.” Most such authors doom themselves to failure. Listen, if you, as an aspiring author, have no money to pay an editor the full fee up front, then work with them on a smaller up-front fee + commission basis, or on a larger, straight commission basis. Get creative, but be prepared to be generous to an editor (or cover artist, or anyone else who assists you on a commission basis) who is willing to assume that risk. And make no mistake: they’re taking a big gamble. If your piece doesn’t sell well, they just worked for nothing.

The evolutionary state of the publishing industry offers many challenges, to be sure, but also many opportunities. Be creative in your approach. Come on, you’re a writer, an artist! Draw on all that creativity when approaching the business aspect of your writing career. Don’t take the easy, cheap, lazy (or all of the above) way out. Don’t doom yourself to failure.

Do you need an editor for your book? Yes. Every writer needs an independent, objective pair of eyes to weed out their nasty little habits, those recurring bugaboos to which we’re psychologically blinded, even if we think we know what we’re doing.

Resist this temptation: “Hey, I’m a good writer. I’ve studied. I’ve learned. I can do it on my own.”

Your book will be the worse for it. I promise.

No business survives for long that does not offer VALUE (Quality:Price). A robust quality assurance program is essential to all businesses, and your business as a writer is not unique, not immune to that requirement.

We at Evolved Publishing are trying to work as a team, to assure first ourselves, and ultimately our readers, that we have produced a high quality, professional product. Perhaps we’re a good fit for you. Perhaps not.

But please… don’t dash your dreams on the rocks by clinging to the stubborn insistence that you can do it all on your own. A well-coordinated team always outperforms the individual. Always.

And quality matters. Always. Especially when you’re competing as a raindrop in a hurricane of options.

www.EvolvedPub.com

‘Til next time, and as always, remember: To write well, you must work hard. To succeed in this tough gig, you mustn’t be lazy (or discouraged).

Self-Publishing – The “Quality” Dilemma

If I were going to offer a sub-title for this post, it would be this: Hire an editor, damn it! Pardon the language, but seriously….

DISCLOSURE: Yes, I am a freelance editor, among other things.  HOWEVER: No, I am not accepting new clients for at least the foreseeable future.  (I just needed to be clear that this post is not about me pushing my service.)

Self-publishing, traditionally referred to as the Vanity Press, languishes under a long-suffering reputation.  For good reason.  Most self-published material, at least historically, has been… well… terrible.  Anyone with an adequate checking account or credit card could publish their work—no peer review was required, no editorial process, no professional guidelines or standards.

Thus, most self-published books were unworthy of readers’ hard-earned dollars.  Not all of them, mind you (one could find an occasional gem in the rough), only 98-99% of them.

Now, with the eBook revolution gaining momentum, even the financial barriers to self-publishing are crumbling.  The inevitable result is that poorly written swill, the so-called “white noise,” is flooding the marketplace.

This will make things extremely difficult for serious writers, those who hope to make writing a well-paying career—professional authors—who want to take advantage of these new eSelf-Publishing opportunities.  (Is eSelf-Publishing a recognized word?  It is now.  :D)

Yet one beacon of hope remains, one stubborn truth: Cream rises to the top.

Look, traditional publishing has always been an extraordinarily tough nut to crack, and it’s even more daunting in the current economic and industry climates.  eSelf-Publishing offers authors fantastic new possibilities, yet it presents its challenges.

Achieving a fair income-producing level of success will be as difficult, and as simple, as ever: You just have to be better than the rest.

The key driver in the new eBook market has already identified itself.  Ladies and gentlemen, please meet Word of Mouth, formerly of Prominent Shelf Space fame.  If you want to succeed, you’ll have to rely on readers sending forth Word of Mouth.  They must post positive reviews, an easy task in the new online environment.  They’ll also need to spread the word everywhere they have a presence, which means not just the traditional real-world, tell-a-friend gossip, but also the new virtual-world, have-you-heard platforms.  Social media—not just yours, but theirs—offers you great potential.

How do you coax your readers to participate in your marketing effort?  You give them a well-written, professional-grade, enjoyable book.  Plain and simple.

If you think you can do that without an editor, you are, if I may be blunt, sadly mistaken.  Hey, I’m an editor, and I wouldn’t think of publishing my own book without an independent, objective editor first giving it a once-over.

ALL professional writers use editors; those who don’t remain amateurs.  And in this new environment, freelance editors are popping up all over the place.  Be creative in your dealings with them.  Pay a flat, up-front fee for the service, or pay a commission of sales, or offer some combination of both.  Surely, you’ll find someone who will work with you in an affordable, mutually beneficial way.  (For more on how to choose between them, see this article: Freelance Editors: A Reemerging Profession.)

Now, as if it’s not bad enough having to compete for readers’ attention with writers who don’t dedicate the time and resources necessary to produce a professional product (the “white noise” generators), we must compete with spammers: Spam clogging Amazon’s Kindle self-publishing.

Dedicate yourself.  Be a professional.  Then maybe, just maybe, you’ll achieve all your goals.

‘Til next time, and as always, remember: To write well, you must work hard.  To succeed in this tough gig, you mustn’t be lazy (or discouraged).

———-

ePublishing Gatekeepers (for Self-Published eBooks)

One of the things my partner, D.T. Conklin, and I have been talking about as we develop Evolved Publishing, is the need for “gatekeepers” in the eBook realm.  Indeed, we have chosen to be, along with our various team members, gatekeepers.

Of whose work?  Well, of our team’s work, to start with.  However, we can easily imagine going on to offer reviewing services for works outside our core group.

We’ve talked about this before, but the issue is simple: How can a reader be reasonably assured that a particular piece meets professional standards?  Well, one will be the appearance somewhere on the book’s cover of these simple words: An Evolved Publishing Recommendation.

And why is that important?  For answers, visit Joe Konrath’s website, A Newbie’s Guide to Publishing, and read this article by a writer I’ve long admired: Guest Post by Stephen Leather

‘Til next time, and as always, remember: To write well, you must work hard.  To succeed in this tough gig, you mustn’t be lazy (or discouraged).

———-

I write, therefore I am.

Many people have asked me, “Why do you write?”

Never mind that I’d like to earn my living as an author of fiction.  People hear that and think, “Sure, and I want to be the King of Siam.”

Dreams don’t come true in the real world.  That’s the line according to most.  Sad.

I believe dreams do come true.  I’m particularly encouraged by the growth of eBooks for such technological marvels as the Amazon Kindle, the Barnes & Noble Nook, the iPad, the Sony Reader, and even smart phones.  For the first time in my lifetime, opportunities for authors are expanding at an extraordinary rate.  Our dreams beckon.  That we can pursue those dreams with little investment and few roadblocks, quickly and relatively easily… well, that’s just icing on the cake.

Yet what if no one buys my eBooks?  What if no one reads them?

I know.  That’s crazy!  Of course, people will buy them.  I mean, come on… seriously. 

Nonetheless, in regards to the inevitable follow-up question—”Would you still continue to write?”—my answer is, “What are you, nuts?  Yes.  Absolutely.  Of course, I would still write.”

I must write, even if I’m the only one who reads it.  I express myself with words.  Writing is the manner by which I release my inner demons, and by which I appeal to my greater angels.  Like a hot shower on a cold winter day, writing cleanses my soul, refreshes me, and motivates me to face another day.

I could no more not write than I could not breathe.  One is essential to sustain life; the other is necessary to live.  Which is which?  Exactly.

Aspiring writers should not fear the future; they should embrace it.  Nor should they be dissuaded by those self-appointed guardians of the past who determined who would, and who would not, be a published author.  I have appointed myself King of My Career as Author, Prince of My Publishing Pursuits, Executive of My eBook Enterprise, and Lord of Dance.  Okay, maybe not the last one.

Take charge of yourselves, dear authors and aspiring authors.  Venture into the self-publishing eBook realm.  But do so with purpose, with intelligence, and with the help of those who share your dreams.

Watch for more on Evolved Publishing.  Our website is coming soon.  Our futures are right behind it.  Our dreams are within our grasp.

‘Til next time, and as always, remember: To write well, you must work hard.  To succeed in this tough gig, you mustn’t be lazy (or discouraged).

———-

Is the old brick-and-mortar publishing industry dying?

e-Books continue to dominate the marketplace, and those in the old brick-and-mortar publishing business are sweating bullets.

Many are warning of this trend, and of what it will mean to the business. As an author who’s soon to release his book for the e-Reader market, my question is simple: Who cares?

I don’t mean to be snarky (well, maybe I do), but perhaps if fewer publishers treated authors, the very reason publishers even exist, as a necessary nuisance, the industry would be suffering less. They protest such claims, yet when most authors (those who aren’t already famous and established) can earn so much more by releasing an e-Book, can do so easier (by an unfathomable order of magnitude), can retain their rights for their lifetimes, and must do all their own marketing anyway, why would most authors pay attention to the cries of the old-world publishers?

For too long, in my opinion, publishers have had it precisely backwards.  Authors do not exist to support publishers. Publishers exist to support authors. In the end, the work is all that matters—the story/biography/expose/how-to book/etc. The writing is the engine that propels the industry.

It should be a symbiotic relationship, a partnership, a mutually respectful and beneficial arrangement. Yet that often seems to be the case only for established authors, those who’ve already proven themselves a safe bet—beyond risk. I read many blogs and websites that suggest otherwise, that tow the company line, as it were—out of loyalty, or political correctness, or fear.

Part of the reason for the success of e-Books is that many authors and aspiring authors are saying, “Enough is enough.”

Those old-world publishers can fix at least some of their problem, if they would treat budding authors more as partners and less as gambles to which they’re willing to risk little or nothing. Success in any business always involves a fair amount of risk. Every business attempts to minimize it to the greatest extent possible, of course, and well they should. Yet for too many authors, the publisher’s doubts and aversion to risk becomes a kind of self-fulfilling prophecy. Their sheer incompetence on issues of marketing, alone, makes one wonder if they get it, or if there’s any hope they’ll survive.

They face plenty of challenges, to be sure, and some of those will be daunting, impossible to overcome completely. Yet the sooner they recognize as a group that they no longer own a monopoly, that authors now have options that don’t include them, and therefore no longer need to act as doormats, the sooner those publishers can develop some workable solutions.

Will they do it? Will they dedicate themselves to service and shared rewards? Perhaps. Eventually. After many of them have died off.

It’s a harsh, competitive world out there—as it should be. For the first time in a long time, markets are actually opening up for authors. What a refreshing twist.

If publishers can’t offer authors convenience, service, and value that makes clear they at least recognize the new competitive environment, then many will surely die. And, if that’s the case, then I say, “Good riddance.”

Someone’s taking away the spoiled kids’ silver spoons. Ah shucks.

New opportunities will arise for booklovers and authors alike. If the old fail, the new will step in. That’s the way of the world. Some of those old publishers should go back to school. They seem to have missed a lot the first time around. Or perhaps they got greedy and took too much for granted.

See this online article about the old brick-and-mortar publishers’ continuing demise: Kindle, Nook, Other E-Readers Wrecking Publishing Industry: Report.

‘Til next time, and as always, remember: To write well, you must work hard. To succeed in this tough gig, you mustn’t be lazy (or discouraged).

And who shall be the gatekeeper?

In my March 17th post, To e-Publish or Not To e-Publish; That Is the Question, I mentioned that I’m working to establish a new e-Publishing group.  My partner and I are making some progress, including a name and website (we’ll share all of that soon), commission schedules, basic mission and strategy, etc.  We’re still a long way from done, but we’re moving forward.

One of the big concerns we’ve had—indeed, the real impetus for this project—is how to rise above the inevitable noise in what will be a crowded field of new eBooks.  How can we get our books noticed, and then build sales momentum?

There are many answers to that question, but I’ll focus on one in particular here: Professionalism.

One of the advantages the old brick-and-mortar publishing industry offered book buyers was this simple assurance: “We reviewed, and likely edited, this book prior to publication, and you can rest assured it meets the industry’s standards for quality work.”  Publishers, editors and literary agents served as “gatekeepers” for the industry, guaranteeing at least a minimum of professionalism.

Yet who shall be the gatekeepers of this brave new world of eBooks?

Well… no one.  Mostly.

For the books put out by our group, at least, we will be the gatekeepers.

Our work, and that means the work of everyone in our group, must be professional grade.  For the sake of this discussion, let me just assure you that we have a plan in place to guarantee professional quality.  Great!

Now, how do we get the word to potential book buyers?  Two words: Marketing, Reputation.

First, we have to deliver on our promise right out of the chute, with the very first books we offer.  Second, we have to build steadily on that reputation, advancing it with each additional book we release, so that our group’s name will be synonymous with professional literature.

Our name, stamped on a book’s cover, must serve as a SEAL OF APPROVAL for discerning readers who expect professional level work.  That will take some time, and great diligence on our part, but that’s the plan.  Readers will know this when they purchase a book with our group’s stamp of approval on it: the book has already passed our own rigorous internal review.

We are the gatekeepers.  If we’ve endorsed it, buyers can relax and purchase the book with great confidence.  It may or may not be a story that appeals to them, but they can take comfort that the book is professional: correct spelling, proper grammar (excluding stylistic flare, of course), proper structure, a coherent plot and well-drawn characters.  Professional.

Readers will come to trust us, which means readers will come to trust our authors.

That’s the plan.

Watch for future news, as our group progresses and we are able to formalize our offering, particularly if you’re an author, editor, or graphic artist looking for new opportunities.  Just know this: WE WILL DEMAND PROFESSIONALISM at every step in the process.  Our readers will expect no less.

Stay tuned.

‘Til next time, and as always, remember: To write well, you must work hard.  To succeed in this tough gig, you mustn’t be lazy (or discouraged).

———-

Re-Engaged

I’ve been working for the past week or so not just to establish this website, which is getting there, but also to update accordingly all of my other online presences.  In the process of doing so, it has occurred to me just how disengaged I’ve been, at least at most of those sites, over the past year or so.

I was so distraught over the state of the publishing business—specifically, the old mainstream, brick and mortar publishing business—and the sheer folly of trying to break into that as a first-time author of thrillers, I just checked out.  I told myself I would re-engage when the market recovered.  Sure.

Now that I’ve concluded that the old mainstream market wallows in the throes of slow death, and now that I’ve decided to move forward in the e-Publishing arena, I feel positively reinvigorated.

Yes, I have re-engaged.  Feels good.

I still have plenty of work to do, not the least of which is a final polish (I swear it’s my last one!) of my manuscript.  I just wanted to take one last spin through, and should finish that by the end of April.  I also have to finalize the plans I’m kicking around to develop a team, an e-Publishing Group, to maximize the likelihood of success.  I’m a bit apprehensive, simply because this is a new arena, yet I’m fired-up for the same reason.  I love putting on my troubleshooter’s cap and brainstorming new possibilities.  Fun stuff.

I’m a couple weeks away from announcing my full plan (I should say our plan, as I’m working it out with my first teammate) to some select individuals, and possibly opening it up to potential participants (primarily writers with similar goals), but I can’t keep my brain from running a thousand miles per hour.

Man!  I should have listened to my own advice, which I offer at the end of all my blog posts:

‘Til next time, and as always, remember:   To write well, you must work hard.  To succeed in this tough gig, you mustn’t be lazy (or discouraged).

———-

To e-Publish or Not To e-Publish; That Is the Question

For the last couple of years, I’ve stubbornly refused to self-publish my novel, Forgive Me, Alex, despite the fact that obtaining an agent during that time carried about the same odds of success as winning the lottery.  I believed what I’d read about the experience of so many others: once you go down that road, you’re stuck there.  Agents and publishers would look down their noses at writers “forced” to self-publish their obviously sub-standard books.

Okay, time for a reality check: most self-published books are sub-standard.  Most.  Not all.  We’ve long referred to self-publishing markets as the “Vanity Press” for good reason.

Enter e-Readers.  Yes, the world is changing, and it’s dragging the publishing industry, no doubt kicking and screaming, into the unknown future.  Fewer people are buying physical books, in part because fewer people are reading books—period!  However, much of the market decline is because more people are making the switch to electronic formats such as Kindle or Nook.  This is undoubtedly not news to you.

Yet how do we authors, in particular the newcomers, respond to those changes?  Should we continue to bang our heads against the wall in the hopes of finding a literary agent, and then a “mainstream” publishing contract?  We all know that publishers don’t support first-time authors with much, if any, marketing muscle, and that they pay poor advances and royalties to those who don’t already have a large following.  Most authors don’t even make a good living off their books, and have to supplement their incomes elsewhere.

Given the high royalty rates paid to authors in the e-markets, an author might make more on a $2.99 e-book than he makes on a $24.95 hardcover book.  And what about audience reach?  How many potential buyers might one reach who are willing and able to pay the $2.99 for an e-book, but who are not too crazy about the price tag of a hardcover?  Is the whole world going electronic anyway?  Is there any stopping it?

My attitude about all of this has changed drastically over the past two years.  I’ve now concluded, against every stubborn inclination I possessed, that readers will continue to go electronic.  Yes, there will always be a market for books you can hold and feel and smell, but that will be the niche market.  e-Books will be the mainstream.

Thus, I have not only decided to e-publish my novel, I’ve decided that I need to do a lot of research before pulling the trigger.  If you thought the “Vanity Press” was creating a lot of white noise in the publishing market, wait until you see all the new entries into the e-publishing world, where one doesn’t need thousands of dollars to get their book out.  Talk about noise!

How shall we rise above that loud crowd?  How shall we separate the wheat from the chaff?  First answer: MARKETING.  Your work must be visible through the cloud of nonsense that will inevitably appear.  You must then build momentum.  Second answer: PROFESSIONALISM.  For long-lasting success, you must establish a solid reputation for good work.

How do you accomplish that in a way that gives you the best chance for success?  If I may steal from the bard: “Aye, there’s the rub.”

Well, I have some ideas, and I’m working out a plan with the help initially of one co-conspirator, as it were.  We intend to establish a TEAM of like-minded individuals (authors, editors, marketers, web developers, graphic artists, etc.) to make sure we do it right, and to extend the opportunity to new authors.

Stay tuned.  More is coming soon.  Very soon.

‘Til next time, and as always, remember: To write well, you must work hard.  To succeed in this tough gig, you mustn’t be lazy.

———-

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