Author, Editor, Publisher, Coach

Category: e-Book Publishing (Page 4 of 5)

If you’re looking to publish your book for the e-Reader markets, this may be helpful.

Quality Counts when Publishing eBooks

I’ve been sampling some indie-published eBooks lately, and I must say that most writers are not helping the long, sad reputation held by self-published authors.  Only the rare exception is edited and polished to a fine sheen.

No, I don’t think readers expect to see absolute perfection, which is, in any event, largely subjective.  Even legacy publishers put out the occasional sloppy piece.  The difference is that their sloppiness represents perhaps 10% of releases, whereas self-publishers offer sloppiness at the rate of about 99%.  Big difference.

Spelling errors, bad grammar, punctuation errors, a bucketful of adverbs, POV issues and structural errors—all on the first 2 pages?  Come on.  How are they going to succeed in the long run when presenting that to readers?

I’m fascinated by the manner in which indie publishers respond to these kinds of posts.  Most of them get angry, or feel offended, or both.  Yet they’re often just one step away from an excellent book: professional editing.  I’m not trying to insult, I’m trying to help.  I promise.

Too many indie authors choose to forgo this expense, offering any number of excuses—though it’s invariably about money.  They fear they won’t recoup their investment.  Let’s be honest: that’s possible.  They enjoy no guarantee of success, no assurance they’ll sell enough copies of their book, at a high enough royalty, to recoup those costs.  Yet without solid editing, their chances of success decrease dramatically.  We return to the old “chicken and egg” argument.  Q1: How can I afford editing until I’ve sold a lot of books? Q2: How can I sell a lot of books if I don’t have them professionally edited?

If they stop for a moment to extend the logic, to consider their business model, they’ll come time and time again to Q2—and to its clearly implied answer.

When they publish their own work, they’re no longer JUST an author; they’re now a publisher.  And publishing, like any business, requires a little up-front investment in order to do it right.  They can minimize these costs, if creative (heck, just look at the Evolved Publishing model), but they cannot eliminate them—at least, not without dooming their business to failure before they’ve even left the starting blocks.

Many indie publishers are languishing with poor sales, finding the spigot turned off as soon as their family and friends stop buying.  Why?  Because only their family and friends will support them no matter what… even if the work is substandard.

They simply must have a well-edited manuscript, and an attractive, professional cover, and some kind of coherent marketing plan, preferably with the help of others working on their behalf.

When will I get tired of this preaching?  When the world of indie publishers has converted.  Let me have an, “Amen!”

Look, I say this not just as a publisher of eBooks, or as an editor of eBooks, or as an author of eBooks—I say this as a READER of eBooks.  I’ve been sampling works to purchase and download to my Kindle, but I’m picky.  If I’m going to spend my hard-earned money on a book, whatever the price, I expect a professional product.

One look at how few indie authors are actually making a living at it makes one thing clear: I’m not alone in that requirement.

Please, Dear Aspiring Author, do not shoot yourself in the foot.  Be a professional.  Do it right.  And reap the rewards.

‘Til next time, and as always, remember: To write well, you must work hard.  To succeed in this tough gig, you mustn’t be lazy (or discouraged).

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Forbidden Mind by Kimberly Kinrade – A YA Paranormal Thriller

Kimberly Kinrade has released her first novel.  The editor for that particular project?  Yours truly.  So naturally, I hope you’ll want to give it a read.

It’s a YA Paranormal Thriller called Forbidden Mind, her first in the Forbiddenseries.

Sam thinks she’s months away from freedom. After spending her life in a secret school, rented out to the rich and powerful as a paranormal spy, she is ready to head to college like any normal eighteen-year-old.

Only Sam isn’t normal. She reads minds.  And just before her big going-away party, she links to the mind of a young man who changes everything.

Drake wasn’t raised as a ‘Rent-A-Kid.’ He was kidnapped and taken there by force. But his exceptional physical strength and powers of mind control make him very dangerous, especially to Sam.

When they meet, Sam is forced to face the truth of her situation, and to acknowledge that not all is as it seems in her picture-perfect world. For what awaits her on her eighteenth birthday isn’t a trip to college, but an unexpected nightmare from which she may not be able to escape.

To survive, they must work together.

But will their powers be enough to save them before it’s too late?

 

Reviews are already pouring in for Forbidden Mind, and they’re quite positive.  If you’re a fan of YA Paranormal, you won’t want to miss this.  Please stop by one of the following locations to pick up your copy: BookieJar, SmashwordsAmazon, or Goodreads.

The second in the series, Forbidden Fire, is due out in late November, and the third, Forbidden Life, before the end of the year.

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Favorite Authors

A recent blog post explaining why some of my favorite books were… well, some of my favorite books—“Compelling Characters – Great Books Are All About the People”—started me thinking about my favorite authors.  This is particularly important to me as I prepare to launch my debut novel, Forgive Me, Alex.  After all, I hope to have the same impact on my readers that my favorite authors have had on me.

What brings me back to an author time and again?  The simplest answer, of course, is that I so enjoyed one of his books, I naturally assumed his next book would offer an equally pleasant experience.  (That’s usually the case, but not always.)  Something in the author’s work grabs me, but what that is, precisely, varies greatly from one author to another.

For some, it’s the rapid-fire, grab-your-socks-and-hold-on pace of the story.  In some such cases, it needn’t even be well written—and often isn’t.  Sometimes, it’s nice just to escape in a quick, simple story, the kind you can read in a night without sacrificing any sleep time.  I don’t often read these anymore, but every once in a while, it’s just what the doctor ordered.

However, authors who engage in this approach—fast story, lousy writing—take a big gamble.  I’ve abandoned a few authors, even after reading several of their books, and even after considering them amongst my favorite authors, because they’ve clearly adopted this attitude: “Hey, you bought my last 8 books, so of course you’ll buy this next one, even if it is a sloppy mess my eighth-grade kid could have written.”  The moment that attitude, the author’s utter disrespect for me as a reader and book buyer, becomes evident, I’m gone.

I’ve realized that I’m much more likely to forgive a plain vanilla plot if both the characters and the writing itself compel me forward.  On the flipside, I’m unlikely to forgive weak, unrealized characters and lazy, sloppy writing, no matter how fast the plot zips along.

Let’s face it: every story has been told, most of them a thousand times.  So what makes a book stand out?  First is a unique set of characters—like meeting new and interesting people.  Second is a unique setting, perhaps an exotic location you’ve always dreamed of, or an idyllic one that reminds you of your best days, real or imagined.  Third is the author’s unique voice, a style that captures your attention early and holds on throughout—might be seamless and almost unnoticeable, or might be thrilling, offering you plenty of those man-I-wish-I’d-written-that moments.

There seems to be an attitude these days, ensconced in the world of self-published eBooks, that the story is all that matters, that good writing is not that important.  Good heavens!  I like a good story as much as the next guy, of course, but I have to be able to see past the words to actually find the story.  If it’s terrible, sloppy writing, that will not happen.

Look, Dear Aspiring Writer, your every word needn’t be something channeled through the spirit of William Shakespeare.  Really.  But please… don’t give me paragraph after paragraph with the following averages: 3 lines per paragraph, with 5 sentences, 5 words per sentence, 0.6 verbs per sentence.  I had the hiccups for 4 hours once, and guess what?  I didn’t like it.  I don’t want to feel as if I’m experiencing that again when I read your book.

Take a chance.  Offer readers something that 5 million self-published authors aren’t already giving them.  First, offer them considerate, strong, well written prose.  Be a writer!  Second, bring your characters to life; let them breathe and speak, sing and dance, suffer and rejoice, love and hate on the page.

If you provide those two elements, and use them to support a good story—even one that’s been told a thousand times—you’ll have a much better chance of long-term success.  Do not sacrifice quality on the altar of quantity, because if you have 12 bad books out there, that will just be 12 bad books that I won’t buy.  And I’m not alone in that.

‘Til next time, and as always, remember: To write well, you must work hard.  To succeed in this tough gig, you mustn’t be lazy (or discouraged).

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Guest Blog – Tony Hooper #2

To kill another person is… such an easy thing.  Sometimes, it even feels good.  For a moment.  Then, like paper through the office shredder, your soul is torn to the core.

I can almost remember a time when I slept through the night.  Almost.  I have to remind myself that it’s only been twenty years.  Sure, only more than half my life. It’s June 7, 1995.  Last night I said goodbye to Linda at the bar, but first I agreed to meet her for breakfast today.  She didn’t invite me to her hotel room, nor did she ask to accompany me home, nor did I breach the subject in any way.  There was an underlying tension, a thought that we might rekindle the flame from three years ago.  I sure felt it, and I believe she did too, but in the end, we said goodnight and went our separate ways.

Until now.

I’ve anticipated this meeting from the instant she offered to buy me breakfast, yet as I drive to her hotel, the lingering effects of another restless night distract me.  My dream of Alex, reduced to a puff of smoke in a gale-force wind, still cuts me to the bone.  I struggle to regain my composure, but my emotions remain on edge, as though the smallest catalyst will tumble me into the abyss, the black chasm of my mind.  I’ve long stood upon the precipice, waiting—almost hoping—for the ledge to collapse beneath me.

I attempt to suppress the memory in a blast of music from a cassette, an upbeat, kick-ass mixed tape designed to improve my mood and get me going on days like this.  Robin Zander of Cheap Trick screams that he’s All Wound Up.  I could use a little of that myself.

Linda said last night that she wanted to talk about Mitchell Norton. What’s to talk about?  I want to return to the job I started seventeen years ago and failed to finish. I want to slit his goddamned throat.

———-

“Forgive Me, Alex”

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Compelling Characters – Great Books Are All About the People

Think of your favorite novels.  What did you love most about them?  Sure, they offered a fun and interesting story, but I’ll bet that, in many of those books, you were compelled most by the people you met on your journey—the characters.

We’re not just readers; we’re people.  We relate to other people… even if they’re fictional.  The real trick to effective writing is to make us suspend our disbelief long enough to consider that maybe, just maybe, your characters are real people too.

To Kill a Mockingbird, by Harper Lee – If you love this book as much as I do, then you also love Atticus Finch and Scout.  You see what they see.  You feel what they feel.  Personally, I imagined myself seated in a rocker on Atticus’s front porch, as we spoke of the law, of politics, of our mutual hope that Scout would know a better world someday.  Perhaps because I knew so little of my own father, I imagined what life might be like if Atticus were my dad.  Such is the power of great characterization.

The Grapes of Wrath, by John Steinbeck – I can still feel the dust of Oklahoma layered over me.  I can still smell my traveling mates, the Joad family and Casy, as it had been several days since we last had the opportunity to take a decent bath.  I can still taste the mush, made only slightly better by the one spoon of sugar Ma allowed each of us.  I can’t see Tom in that coal-black cave of vines, but I can hear him breathing.  “I swar, I even spoke Okey fer awhile, like they done.”  I loved the Joad family—Ma, Tom, Rose of Sharon, and the whole gang.  I starved with them.  I cried with them.  I hoped against all odds with them.  Such is the power of great characterization.

The Stand, by Stephen King – This story offers a character-rich environment—easily a dozen characters to whom you can open your heart.  How could you possibly not like Nick, Stu, Glen, Frances, and of course, Mother Abigail.  You can even sink your teeth into a number of bad guys.  It’s an imaginative story, to be sure, but the characters kept me going for all 1,153 pages (complete & uncut edition).  I feared with them.  I cared with them.  I sacrificed with them.  Such is the power of great characterization.

A Soldier of the Great War, by Mark Helprin – As I read the story, I truly learned to love Alessandro Giuliani, the protagonist.  If I could have chosen my own grandfather, I might have chosen Alessandro.  I so missed him ten years after first reading the book that I had to read it again.  It didn’t matter that I knew the story; I needed to visit the old man I loved.  Eight years later, I visited him for a third time.  Soon, we’ll be meeting again.  Such is the power of great characterization.

A Prayer for Owen Meany, by John Irving – How effectively did John Irving bring Owen Meany to life?  Despite the fact that the story itself often antagonized me, the reader, by virtue of politics with which I often disagreed, I still couldn’t put the book down.  Owen Meany is one of the most compelling and unique people I’ve ever met.  Yes, I met him, and he was just as amazing as I imagined he would be.  Such is the power of great characterization.

These are only a few examples, varied in genres and styles, of novels that succeeded wildly not just because the authors told good stories, but because they brought to life great characters.  They gave to us people who breathed, walked and talked on the page.  They came to life and, in doing so, became a part of our lives.

What makes for great characterization?  I can tell you what it’s not: he has blue eyes; she has red hair; she’s short with tiny feet and freckles; he has an aristocratic nose and wavy blonde hair.  Are those details bad?  Not necessarily. Are those details good?  Not necessarily.

As a reader, I don’t like a lot of physical description.  I always develop, when the author allows me to, my own mental image of the characters.  I knew what Jack Ryan, from Tom Clancy’s novels, looked like long before Alec Baldwin or Harrison Ford played the character in movies.  I knew what Nick, from Stephen King’s The Stand, looked like long before they released the TV movie.  Rob Lowe as Nick?  Sorry, but I don’t think so.  Have you ever had that same reaction to an actor?  Have you ever said, “No, no, no; he doesn’t look anything like that character?”

I liked Gregory Peck as Atticus Finch.  I did not like Matt Damon as Jason Bourne.  I liked Robert Urich as Spenser.  I did not like Stacy Keach as Mike Hammer.  I liked Tom Hanks as Forrest Gump.

You may feel different about each of those actors and characters, and that’s my point.  For you, that female lead may be a short redhead with green eyes, a bit chubby, with freckles and an unfortunate birthmark.  For me, she may be a long-legged blonde with blue eyes, a disarming smile, and a figure that takes my breath away.  (Yeesh, I’m such a guy.)  The freedom to exercise our imaginations draws us into a story, drives us to know your characters better.

Dear Author, please give us, your loyal readers, a little freedom.

What do readers really want in a character?  We want to see her with our own eyes, hear her with our own ears, feel what she feels.  We don’t want you to tell us that she’s afraid; we want you to show us the hair standing up on the back of her neck.  We want to see her shiver, and see the goosebumps rise on her arms.  We want to hear and feel her anguish over a lost love.  We want to know her heart, her soul, her attitudes and desires—as if she were a good friend.

Such is the power of great characterization.

‘Til next time, and as always, remember: To write well, you must work hard.  To succeed in this tough gig, you mustn’t be lazy (or discouraged).

———-

Meet Tony Hooper

I’m Tony Hooper.  Lane Diamond thinks he knows me, calls me his protagonist, thinks he can manipulate me just to offer others a thrilling ride.  Yeah, good luck with that!

He doesn’t know me, any better than you know me.  Don’t judge me until you’ve worn my skin, crawled inside my mind.

What do you know about loss?  What do you know about pain?  What do you know about living every night of your life as if a raging tornado were roaring through your gut, twisting your intestines into a stew of guilt and anguish, shooting your heart across the abyss at 250 mph?

Me and pain, we’re buds.  BFFs.  Just as well, because I deserve it.  If I believe in justice and claim to fight for it—and make no mistake, I do—then I have to accept the pain.  I must embrace it.

Fate deals the cards; all I can do is play the hand.

If I end up dead or in prison as a result, so be it.  But if you’re one of those animals out there, one of the monsters that preys on the innocent, know this: I’m coming for you.

And to my little brother, who’s always represented the best part of me, I can only say, “Forgive Me, Alex.”

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First 5 Chapters of “FORGIVE ME, ALEX” – A Psychological Thriller

Some of you may have already read the opening chapter of my upcoming novel.  Well, now I’ve added Chapters 2-5 on the novel page at this site.  Just click here, and please leave a comment at the end after reading.

Thank you.

‘Til next time, and as always, remember: To write well, you must work hard.  To succeed in this tough gig, you mustn’t be lazy (or discouraged).

———-

Wind Tunnel – A Short Story

My second short story, Wind Tunnel, is more of a feel-good affair than my first one, Devane’s Reality.  It is now available through AmazonSmashwords and BookieJar.

Set first in Chicago and later in Argentina, it serves as a reminder that it pays to do good.  Call it karma, call it paying-it-forward, call it what you will—sometimes, all is right with the universe.

Thanks to D.T. Conklin for his exacting edit, and to Josh Evans for the vibrant cover.

‘Til next time, and as always, remember: To write well, you must work hard.  To succeed in this tough gig, you mustn’t be lazy (or discouraged).

———-

Grammar

Okay, be honest.  When you saw the title of this post, you thought, “Ah geez, do I even want to read that?”

Unless you’re a word geek, you hate grammar—as a subject; as a list of rules you must learn, and to which you must adhere; as an 80-lb ball and chain tied around your ankle and preventing you from sprinting to the finish line.

Yet language is little more than a recognizable set of rules by which we communicate.  No rules?  No language.

Can we ever break the rules?  Of course, but be careful.  Pick your spots, make sure they lend your prose a nice punch, and keep them to a minimum.

You’ll find the rest of this discussion here: When Is Good Grammar Required?

‘Til next time, and as always, remember: To write well, you must work hard.  To succeed in this tough gig, you mustn’t be lazy (or discouraged).

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